#Best mirrorless frame camera 2019 full
#Best mirrorless frame camera 2019 software
#Best mirrorless frame camera 2019 professional

It's more expensive than the 100MP medium format Fujifilm GFX 100S, for example – apples and oranges, we know, but the very comparable Nikon Z8 and Z9 also come in considerably cheaper. This all-round performance comes with a few caveats, however, the first one being cost. Video? Check, with its 8K recording capability. Fine detail? Check, with its 50.1MP resolution. Sports? Check, with its unreal 30fps continuous shooting. Jack of all trades, master of most, there's nothing that the A1 can't shoot.

#Best mirrorless frame camera 2019 full

Read our full Panasonic Lumix S5 IIX review

#Best mirrorless frame camera 2019 software

Of course, you can shoot RAW with the S5 II via a paid-for software unlock, but for pretty much the same money, once you’ve paid for the update, the S5II X still offers more.' This is especially true if the all-black design appeals to you. 'Does it offer enough in terms of value for money to entice creators to spend a little extra? The extra features, such as SSD recording, HDMI RAW output, All-I compression, Apple ProRes, and Streaming functionality, make it an enticing proposition. My colleague Jon Devo has spent much more time using the two cameras than I have, so I'll quote his five-star review: 'With its most direct competition coming from its stablemate, the more specialized S5 II X faces some fundamental challenges from a consumer perspective.

In fact, short of a cinema camera, its closest rival is the camera for which it's an upgrade: the Panasonic S5 II. The Panasonic S5 II X is effectively in a class of its own when it comes to a camera capable of content creation, videography and filmmaking. It even shoots very good 8K 30p video, too! The image quality is simply spectacular for ultimate stills shooting, this is almost unbeatable. While it lacks the vertical grip of the ten-grand Fujifilm GFX 100, (which our reviewer thinks is a good thing), it otherwise boasts newer and more powerful capabilities squeezed into a much smaller and much cheaper body – though Fujifilm's medium format lenses mean that this is still far from a compact system. It even possesses in-body image stabilization – which, despite having to stabilize a gigantic medium format sensor, is actually on par with the IBIS systems on Sony's smaller full-frame sensors. Want the ultimate in medium format resolution in a body so small and steady that you can use it for street photography? Meet the Fujifilm GFX 100 II, a marvel of photographic achievement that packs a 102MP medium format sensor into a body about the size of a bulky DSLR.

#Best mirrorless frame camera 2019 professional

The best professional camera for resolution So in terms of bang for buck, it really can't be beaten.

And as noted, it's cheaper than the Z9 – which in turn is cheaper than the Sony A1 and Canon EOS R3. Overall, though, there is literally nothing this camera can't do: its speed, resolution, ruggedness and video capability in one. Though, in my experience, the AF occasionally faltered where Canon and Sony's didn't. The ferocious autofocus is capable of ten kinds of recognition: human eyes, faces, heads, and upper bodies animal eyes, heads, and bodies and cars, aircraft, planes, trains, and motorbikes.

Nikon decided to remove the mechanical shutter completely, which means the camera is capable of 120fps continuous shooting and has a max shutter speed of 1/32000 sec, which makes it perfect for sport and bird photography. It's capable of 8K 60p video recording or 8K 30p with an enormous 2-hour record limit. Personally, I prefer the smaller body and smaller price tag, so the Z8 gets my vote! The Z8 is, after all, being pushed by Nikon as 'a baby Z9', with an almost identical feature set. The only real difference right now is that it has a more compact body (without the Z9's 'pro' vertical grip and bigger battery) and it costs over a grand less. This one is effectively a toss-up between the Nikon Z8 and the Nikon Z9.